A while ago I was interviewed for a cool little magazine called Here To Fame from the Gold Coast. It dropped a month or so ago and I'm stoked with how it came out.
A few months ago I accompanied members of the Ironlak Family to Cairns. They were visiting North Queensland to paint at the Taste-y Graff Jam. Besides a bit of shitty weather it was a great trip, and it was nice to see Phibs and Shem from Melbourne and some Townsville heads that I hadn't seen in a moment.
Here's the video that we made of the wall the guys painted.
Hell Yeah magazine #2 launches tomorrow in Brisbane. For this issue I photographed 30 or so people wearing their favourite t-shirt. BIG DAY, but the shoot itself was a whole lot of fun. thanks to everyone who helped make it happen, and a special shout out to my main main Brent Kerr for handling business with the lighting and trying his best to keep me out of the way of said lighting.
Here's a behind the scenes video that Jonathan Baginski (wolfdiary.com) put together:
A couple of months ago I went along with my homies in the Ironlak Team for their Byron Bay roadtrip. At first there was no painting planned but you can't get these guys together without SOMETHING going down. So the "no pressure" wall ended up turning into what you see below.
Here's a little video we made of the weekend's activities. I'll post some extra photos from the trip at a later stage.
The Ironlak Team's Byron Bay Roadtrip. Featuring; Tues, Sofles, Sirum, Linz and Reals.
We dropped this video about a month ago but I shot all the photographs that make up the film when I was in Copenhagen one year ago.
Bates really wanted to not be a person in front of his piece, but rather have the video focussed on the graffiti side of things, keeping things anonymous like it used to be. Rather than screw around with footage, I decided to shot the whole thing in still photographs. I was really happy with how this came together, I think Sel did a great job of stitching this all together.
This promo for Reload By Ironlak came out a while ago now, but it's probably one of the favourite video projects that I've been involved with. We were stoked to have Trials and DJ Adfu create a track exclusively for this video and even happier with how the track came out. Thanks gents.
Music: Exclusive track for Reload - "Cambodian Rock" by Trials & ADFU (The Theory of Face)
Shot: Main camera: Luke Shirlaw and second camera: Selina Miles.
Cut: Selina Miles.
This is the first post in what (I hope) will be a weekly look into stuff I'm vibing. The title is borrowed from a Mark Drew print that sits framed above my workspace. The print is in reference to the Naughty By Nature song O.P.P. (Other People's Property). Respekognize.
And now, let the props begin...
I suppose that I can't really begin this chapter of my blog without giving some shine to my boy Mark Drew. After all, I did gank his idea and shamelessly parade it around as if was my own genius invention. Below are a few of my favourite examples of Mark's work that I could find online. To see more click on over to his website here: Making Ends.
"THE SCENE"- LOCALISM - GROUP SHOW (2008)
From C-90: SIDE B, SOLO EXHIBITION AT 72ERSKINE, SYDNEY (2009)
"TAPE INSERT"- GROUPSHOW AT PALMER PROJECTS, SYDNEY (2009)
ANOTHER INCH SHOP WALLWITH TRISTAN CEDDIA (2007).
I know most people's attention spans won't last long enough to read through this post before they jump off to the next one, so if I can recommend one thing to check out before you depart this page, it's the following documentary; Carts Of Darkness by Murray Siple. At a basic level it tells the story of a group of homeless bottle collectors living in Vancouver, Canada who have invented their own 'sport' of rolling down hills on shopping trolleys. At a deeper level it touches on the idea of being free from spending your life working just to afford things that you don't really need - and just generally surviving outside of the societal system. Having said that, there is definitely an underlying sadness to parts of the film, which is to be expected anytime that a story is told of people that don't have much. I'm certainly not trying to glamourise that with my previous comments. Carts Of Darkness also reveals elements of the filmmaker's own story; Murray is a former snowboarding filmmaker who has spent the last 10 years in a wheelchair and finds himself living vicariously through the downhill shopping trolley antics of his new found friends. I took a lot from this doco, and I must give a nod to Revok, as I discovered this after my friend Tues watched it on Revok's blog.