This is the first post in what (I hope) will be a weekly look into stuff I'm vibing. The title is borrowed from a Mark Drew print that sits framed above my workspace. The print is in reference to the Naughty By Nature song O.P.P. (Other People's Property). Respekognize.
And now, let the props begin...
I suppose that I can't really begin this chapter of my blog without giving some shine to my boy Mark Drew. After all, I did gank his idea and shamelessly parade it around as if was my own genius invention. Below are a few of my favourite examples of Mark's work that I could find online. To see more click on over to his website here: Making Ends.
"THE SCENE"- LOCALISM - GROUP SHOW (2008)
From C-90: SIDE B, SOLO EXHIBITION AT 72ERSKINE, SYDNEY (2009)
"TAPE INSERT"- GROUPSHOW AT PALMER PROJECTS, SYDNEY (2009)
ANOTHER INCH SHOP WALLWITH TRISTAN CEDDIA (2007).
I know most people's attention spans won't last long enough to read through this post before they jump off to the next one, so if I can recommend one thing to check out before you depart this page, it's the following documentary; Carts Of Darkness by Murray Siple. At a basic level it tells the story of a group of homeless bottle collectors living in Vancouver, Canada who have invented their own 'sport' of rolling down hills on shopping trolleys. At a deeper level it touches on the idea of being free from spending your life working just to afford things that you don't really need - and just generally surviving outside of the societal system. Having said that, there is definitely an underlying sadness to parts of the film, which is to be expected anytime that a story is told of people that don't have much. I'm certainly not trying to glamourise that with my previous comments. Carts Of Darkness also reveals elements of the filmmaker's own story; Murray is a former snowboarding filmmaker who has spent the last 10 years in a wheelchair and finds himself living vicariously through the downhill shopping trolley antics of his new found friends. I took a lot from this doco, and I must give a nod to Revok, as I discovered this after my friend Tues watched it on Revok's blog.
My homie Kill Pixie has an exhibition opening this week at Edwina Corlette Gallery in Brisbane. I'm excited to see KP for the first time since he bailed to pursue his art career in the US of A, I'll also be stoked to see his new artwork in the flesh.
If you're in Brizzo make sure you check this show out, if not you can peep some of the work below.
Yet another one shot in Europe last year. This time Storm(Heavy Artillery) from Copenhagen jumped in our car and joined us for the Scandinavian leg of our journey. We stopped off along the way so that he could bang out a quick piece in Sweden. Take note of the sleeping arrangements in the car. That's how we roll!
Created as a 40 second teaser video for Ironlak's new 600ml Reload cans, I was super stoked with how this video came out and also how well it went virally. It got something like 6000 views in just a few days, which is absolutely crazy. We're working on a four minute follow up video at the moment, which comes out next week. Stay tuned, yo.
Another video filmed when I was in Europe mid last year. This time with all round nice guy; Does of the LoveLetters crew from Holland. On this day we travelled to Belgium where a hall of fame is that Does and Nash hold-down across the border.
I headed down to Melbourne late last year (October 2009) along with various members of the Ironlak Fam for the Clash Of The Titans event that Revok was putting together. Unfortunately the event got cancelled at the last minute, so the peeps that were in town got together to bang out a wall, and, of course we made a video. It ended up being a really cool few days with a few nice surprise visits from Merda, Spice, Trem (Lyrical Commission) and Jase (Beathedz), amoungst others.
I've been spending more time working on video projects for Ironlak lately. To start (almost) at the beginning; here's one that I filmed in Milano, Italia with Mr. Wany of Heavy Artillery crew in June 2009.
Photos and video shot by:Luke Shirlaw. Video cut by:Selina Miles. Music by:Colle der Formento.